samanthaconlonart:

lovers ii, october 2012 

lovers were instructed to write their least favourite thing about each other on their most favourite part of each other

(via tsarina-a-blammo-witch)

(Source: martymcphly, via tsarina-a-blammo-witch)

gallowhill:

Miles Van Rensselaer - Ancestral Flow

gallowhill:

Miles Van Rensselaer - Ancestral Flow

(via ellliot)

(Source: nevver, via ellliot)

ellliot:

thought directions

ellliot:

thought directions

(Source: ssscuttlebuttt)

thespithouse:

Chéri Samba - La Bourgeoisie, 1981

thespithouse:

Chéri Samba - La Bourgeoisie, 1981

(via blackcontemporaryart)

varietyinblack:

“J’Aime la Couleur (I Like Color)”
Painting, 2005
Chéri Samba

varietyinblack:

“J’Aime la Couleur (I Like Color)”

Painting, 2005

Chéri Samba

(via blackcontemporaryart)

miyaando:

Sui Getsu Ka [Water Moon Flower] Grid Hand-Dyed, Anodized Aluminum Paintings for upcoming solo exhibition “Mujo” [Impermanence] at Sundaram Tagore Gallery, NYC “Sui Getsu Ka” [Water Moon Flowe] are the words spoken by Zen Monks to Monks who have completed Zen Training. Like the reflection of flowers on moonlit water, all things are temporal- Miya Ando

miyaando:

Sui Getsu Ka [Water Moon Flower] Grid
Hand-Dyed, Anodized Aluminum Paintings for upcoming solo exhibition “Mujo” [Impermanence] at Sundaram Tagore Gallery, NYC
“Sui Getsu Ka” [Water Moon Flowe] are the words spoken by Zen Monks to Monks who have completed Zen Training. Like the reflection of flowers on moonlit water, all things are temporal- Miya Ando

(via strangegraces)

(Source: weareoceanic, via ellliot)

whos-afraid-of-postblack-art:

“Salvaging such defiant beauty from scraps of resilient black, rubber provide a compelling metaphor of African American survival in the modern world.”
Matthew Guy Nichols, in an Art in America article on 
Chakaia Booker
Acid Rain
2001
rubber, tires, wood

whos-afraid-of-postblack-art:

“Salvaging such defiant beauty from scraps of resilient black, rubber provide a compelling metaphor of African American survival in the modern world.”

Matthew Guy Nichols, in an Art in America article on 

Chakaia Booker

Acid Rain

2001

rubber, tires, wood

(via blackcontemporaryart)